ABSTRACT
With a pragmatist approach which he calls Ironism, Richard Rorty makes an attempt to eliminate metaphysics, and finally to replace philosophy with literature. What Rorty sees as metaphysics is the traditional philosophical view that mind or language represents the true nature of things, the universal and changeless essence of reality. And what he sees as Ironism, an attempt to eliminate metaphysics, is redescription of metaphysical concepts (such as truth, mind, reason, etc.). Redescription of the concepts means replacing their speculative metaphysical senses with pragmatic senses. For instance, Rorty argues that the word “truth” is not found, but made, because truth is not an objective reality out there, but a function of sentences made by humans. He argues that the word ‘mind’ is not an immaterial entity that mirrors reality, but the ability to use persuasion rather than force to make people do what one wants. When Rorty realized that redescription of vocabularies using theory cannot eliminate metaphysics because theory is about general ideas (the metaphysical), he then recommended use of novel in the place of theory for Ironism. He argues that literature should replace philosophy, because philosophy is not a search for truth, but a literary enterprise—arguments about what words to use. The objectives of this study are: (i) to expose Rorty’s Ironism in detail; (ii) to expose metaphysics itself which Ironism is made to eliminate; (iii) to evaluate Rorty’s claim that metaphysics or philosophy is replaceable by Ironism or literature; (iv) to argue that Ironism as an attempt to eliminate metaphysics is a misnomer and ill-founded; and (v) to create a new sub-branch of philosophy out of Rorty’s Ironism. Expository, evaluative and hermeneutic methods were used to achieve the objective. The conclusion of the study (which is its main thesis) is that Ironism is not opposed to metaphysics, but a pragmatist kind of metaphysics which is opposed to the idealist kind.
KEYWORDS: Ironism, metaphysics, redescription, creativity, innovation
CHAPTER ONE
INTRODUCTION
- Background to the Study
Based on a motivational book and two novels I wrote, I was called one day by a Catholic youth organization at Abakaliki to deliver a lecture on the art of creativity and innovation. The organizers of the programme wanted me to explain, in practical terms, how to use imagination to create literary works of art, especially novels.
Based on Egwu U. Egwu’s concept of creative thinking,1I explained that to create a new idea was to generate a mental image in one’s mind and to express it in writing. But when the parish priest, the special guest of honour, asked me to demonstrate the idea of generating mental images in one’s mind, I resorted to description of individuals’ actions, certain events and states of things. After this, he asked me to explain how my descriptions constitute images, and whether the images I was talking about existed outsides my descriptions, and I said yes. He then asked me where they existed, and I said that they existed in my mind. “Can you, without using words (descriptions), show us your mind and the images in it?” he asked me again. At this point, I became confused and helpless. The aim of the lecture was to teach the youth how to create practicable ideas, and not how to do a mere intellectual speculation. And if I argued that generation of images in my mind was different from my descriptions of the images, then how could I make a practical demonstration of how images were generated in my mind without using the descriptions of the images?
It was my failure to answer this intractable question that made the parish priest, who wrote his doctoral thesis on Richard Rorty’s philosophy of language, to refer me to Rorty’s most popular book titled Contingency, Irony, and Solidarity.2In this book, Rorty talks of an Ironist who redescribes final vocabularies (use of old words in new senses) to recreate himself rather than searching for truth as opposed to a metaphysician who searches for truth or the intrinsic essence of things. With this distinction, Rorty argues that philosophy is all about creation of new ideas with words, and not a search for truth (the essential), because truth is not an objective reality, but a function of sentences made by humans. Based on this, I realized that I was unable to explain imagination (creative thinking) in a practicable way, because I saw it in a speculative way as the metaphysician does. It was this experience that made me to choose Richard Rorty’s concept of Ironism as the topic of my doctoral thesis.
1.2 Statement of the Problem
The problem of the study is examination of Rorty’s claim that metaphysics and philosophy are replaceable by Ironism and literature.
1.3 Purpose of the Study
The purpose of the study is:(i) to explain the philosophical origin, development and use of Ironism which Richard Rorty is talking about; (ii) to do a detailed exposition of Rorty’s concept of Ironism as an attempt to eliminate metaphysics; (iii) to do a detailed exposition of metaphysics as understood and done by philosophers for comparative analysis; (iv) to point out that the strength of Ironism is that it enables us to understand and explain creativity and innovation in an explicit rather than a speculative way, and the weakness is that Ironism is not distinct from metaphysics but a pragmatist kind of metaphysics; and (v) to conclude that Rorty’s attempt to eliminate metaphysics, to replace philosophy with literature, did not succeed.
1.4 Thesis of the Study
The study is made to demonstrate that Ironism as an attempt to eliminate metaphysics is a misnomer; that it is a philosophy of creativity and innovation, not a replacement for metaphysics, because metaphysics is unavoidable in linguistic pragmatism, literature and all other activities that involve use of words.
1.5 Explanation of Key Terms
(i) Ironism: This is redescription of vocabularies aimed at elimination of metaphysics. Redescription of vocabularies means use of old words in new senses. Richard Rorty uses the term Ironism to describe Hegel, Nietzsche, Heidegger, etc. as philosophers who oppose the traditional philosophy of essence in Plato, Descartes and Kant, by redescribing old vocabularies of Platonic metaphysics rather than searching for the essences of things, so as to create new kinds of philosophy for themselves.
(ii) Metaphysics: This is the view that there is an essential or a necessary cause behind the existence of all contingencies—- things that are subject to change. It is the Platonic view that there exists a world of Forms or ideas which produce all material appearances, and that such a world is spiritual and eternal, while that of material appearances is physical and temporal. It is this Platonic view that there is that which is spiritual and changeless which Descartes, Kant, and other idealists are searching for through reasoning that Rorty calls metaphysics and strives to eliminate with Ironism.